CHOPIN: Barcarolle, Op. 60 in F sharp Major
CHOPIN: Etude Op.10, No.4 in C sharp minor
CHOPIN: Etude Op.10, No.5 in G flat Major “Black Keys”
CHOPIN: Etude Op. 10 No. 3 in E Major “Tristesse”
CHOPIN: Etude Op. 10 No. 12 in C minor “Revolutionary”
MOZART: Sonata No.10 in C major, K.330 (Vienna/Salzburg, 1783)
        Allegro Moderato
        Andante Cantabile
        Allegretto
INTERMISSION
RACHMANINOFF: Prelude Op. 32, No.12 in G sharp minor
RACHMANINOFF: Prelude Op. 23, No. 5 in G minor
RACHMANINOFF: Prelude Op. 32, No .5 in G Major
RACHMANINOFF: Etude Op. 39, No.5 in E flat minor
BEETHOVEN: Sonata No. 8 in C minor, Op. 13
        Grave – Allegro di molto e con brio
        Adagio cantabile
        Rondo:Allegro

Here is a poet speaking. It’s all there with Levkovich: the grand gesture, the intensity, the storm, the sometimes pushed but excusable virtuosity, the sinister grim smile, the sweet eroticism, the quiet, sincere tenderness and heavenly filigree. And all rendered in a state of deep composure. (Jurjen Vis, The Pianist Magazine)

Levkovich cut an alternately haunting and gripping figure, demonstrating complete control and intuitive understanding no matter what the challenging score threw at him. (Zachary Lewis, Cleveland Plain Dealer)