
KYOHEI SORITA
Sunday, November 9, 2025 | 3 PM
Vancouver Playhouse(Click for directions)
Click here to learn how to select a ticket type
Ticket Prices: A-$65, B-$52, C-$42; Seniors/Students/BCRMTA: A-$52, B-$42, C-$34
CHARLES RICHARD-HAMELIN
Clamour for Kyohei Sorita’s Vancouver debut recital was so high that we knew we had to arrange his return!
The artistic find of the 18th International Chopin Competition, Kyohei Sorita’s playing at the competition touched the hearts of the Varsovian audience, and caught the ears of the discerning jury members, with his heartfelt and mature interpretations. He was awarded the silver medal, the highest prize for a Japanese-born pianist since Mitsuko Uchida’s second prize in 1970.
Anna Debowska, writing for the Gazeta Wyborcza, praised his performance of Chopin’s 1st piano concerto as being the highlight of the competition, “The ripe found kept changing its colour, shape and weight.” From another writer covering the same event: “…one pianist…whose musical maturity, imagination, poetry, and technical prowess have fused seamlessly to blissful proportion. His name is Kyohei Sorita.” Since his ravishing performances in Warsaw, Sorita has been extremely busy, performing both in his native Japan and internationally.
A conductor as well as pianist, Sorita founded the Japan National Orchestra in 2019, a 17-member chamber orchestra. A superstar in his native country, almost every single concert he gives in Japan is invariably sold out. In August of 2025, he will make his debut at the highly prestigious Salzburg Festival as both pianist and conductor in an all-Mozart programme.
RAVEL: Sonatine, M. 40
I. Modéré
II. Mouvement de menuet
III. Animé
POULENC: Suite Napoli, FP. 40
I. Barcarolle
II. Nocturne
III. Caprice italien
INTERMISSION
CHOPIN: Scherzo No. 1 in b minor, Op. 20
CHOPIN: Scherzo No. 2 in b flat minor, Op. 31
CHOPIN: Scherzo No. 3 in c sharp minor, Op. 39
CHOPIN: Scherzo No. 4 in E major, Op. 54
“The discovery of the festival!” (Review following Sorita’s debut at the Südtirol Festival Meran)
Sorita was the master storyteller, a great bard regaling us with
tales from long ago times and far away lands. In the Ballade No. 2 in F Major (Op. 38), I
had rarely heard the bell-like sonorities of the opening chord voiced quite so beautifully, or
with such a contrast to the Presto con fuoco section, that it was, in the best sense, a rude
awakening from a beautiful reverie. (Music and Arts)
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19th International Fryderyk Chopin Piano Competition, 2-23 October 2025